{"id":1064,"date":"1989-02-10T10:05:29","date_gmt":"1989-02-10T09:05:29","guid":{"rendered":"http:\/\/davidpilette.com\/FD2\/?p=1064"},"modified":"2021-12-16T15:02:47","modified_gmt":"2021-12-16T14:02:47","slug":"la","status":"publish","type":"post","link":"https:\/\/fredericdurieux.com\/index.php\/1989\/02\/10\/la\/","title":{"rendered":" L\u00e0 <br><i><span style='color:#999999;font-size:18px;'>(1989) pour clarinette<\/span><\/i><\/br>"},"content":{"rendered":"\n<p class=\"has-normal-font-size wp-block-paragraph\">Cr\u00e9ation par P. Dutrieu \u00e0 la Galerie Analix B. et L. Polla, Gen\u00e8ve 1992<br>D\u00e9dicace: \u00e0 Martin, Saskia et leurs parents<br>Dur\u00e9e&nbsp;: 13 min.<br><a rel=\"noreferrer noopener\" href=\"https:\/\/www.jobert.fr\/\" data-type=\"URL\" data-id=\"https:\/\/www.jobert.fr\/\" target=\"_blank\">Editions Jobert<\/a> (Paris) <em>\u2013 anciennement \u00e9ditions Henry Lemoine<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cette partition fait imm\u00e9diatement suite \u00e0 Seuil D\u00e9ploy\u00e9 (1988-1989) pour 22 instrumentistes, dont elle reprend certains principes d&rsquo;\u00e9criture d&rsquo;un passage o\u00f9 la clarinette est solo. Dans ce segment, un mat\u00e9riau harmonique statique \u00e9tait travers\u00e9 de plusieurs tempi et figurations particuli\u00e8res.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pour L\u00e0, j&rsquo;ai amplifi\u00e9 l&rsquo;id\u00e9e, juxtaposant sept blocs harmoniques et sept tempi. Chaque segment est fix\u00e9 et inamovible, et l&rsquo;\u0153uvre est la trace d&rsquo;une dialectique et d&rsquo;une contradiction : au statisme du mat\u00e9riau s&rsquo;oppose l&rsquo;articulation toujours mouvante et impr\u00e9visible d&rsquo;un bloc \u00e0 l&rsquo;autre. C&rsquo;est donc une r\u00e9flexion sur le temps et la perception m\u00e9morielle \u00e0 laquelle je me suis attach\u00e9. Ces pr\u00e9occupations sot \u00e0 la sources des id\u00e9es centrales de deux partitions ult\u00e9rieures : Marges III (1989-1990), pour hautbois solo et 13 instruments, puis L\u00e0, Au-del\u00e0 (1990-91\/92), pour 26 instrumentistes. Le titre, L\u00e0, symbolise cette perception de l&rsquo;instant du d\u00e9roulement temporel confront\u00e9 \u00e0 une \u00e9coute hors-temps et comparative, la m\u00e9moire examinant chaque \u00e9l\u00e9ment retrouv\u00e9 \u00e0 ce qui a pr\u00e9c\u00e9d\u00e9.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>L\u00e0 est d\u00e9di\u00e9 \u00e0 Martin &amp; Saskia, ainsi qu&rsquo;a leur parents respectifs. Cette pi\u00e8ce est la trace de leur arriv\u00e9e, de leur pr\u00e9sence soudaine et joyeuse. Cette partition est un cadeau de bienvenue aux deux \u00eatres qui ont transform\u00e9 la vie de leurs proches. Cette d\u00e9dicace offre un autre sens au titre, moins r\u00e9barbatif et, tout compte fait, aussi grave. Ce qui n&rsquo;exclut pas la joie, bien au contraire<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Fr\u00e9d\u00e9ric Durieux<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cr\u00e9ation par P. Dutrieu \u00e0 la Galerie Analix B. et L. Polla, Gen\u00e8ve 1992D\u00e9dicace: \u00e0 Martin, Saskia et leurs parentsDur\u00e9e&nbsp;: 13 min.Editions Jobert (Paris) \u2013 anciennement \u00e9ditions Henry Lemoine Cette partition fait imm\u00e9diatement suite \u00e0 Seuil D\u00e9ploy\u00e9 (1988-1989) pour 22 instrumentistes, dont elle reprend certains principes d&rsquo;\u00e9criture d&rsquo;un passage o\u00f9 la clarinette est solo. Dans [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[17,13],"tags":[],"class_list":["post-1064","post","type-post","status-publish","format-standard","hentry","category-instruments-seuls","category-oeuvres-chronologiques"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v17.9 (Yoast SEO v28.5) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>L\u00e0 - Fr\u00e9d\u00e9ric Durieux<\/title>\n<meta name=\"description\" content=\"Bienvenue sur le site de Fr\u00e9d\u00e9ric Durieux, compositeur\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fredericdurieux.com\/index.php\/1989\/02\/10\/la\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L\u00e0 Fr\u00e9d\u00e9ric Durieux - 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